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Submit your paper proposal here. Submit your panel proposal here panel organizers are also asked to submit a panel title and a short description of the panel max. At present, we are still planning to hold the conference in person at Link Campus University, taking all the necessary health and safety precautions required by Italian authorities. We will also be monitoring national and international guidelines for health and safety to communicate any changes in a timely manner. The Journal of Digital War is seeking review essays for our upcoming publication on topics related to digital war.
We publish reviews of current books, artworks and conferences ca. Published by Palgrave Macmillan Springer Nature , Digital War aims to critically explore what war means today and how it will develop in the future. Digital War provides an interdisciplinary forum for cutting-edge analysis of contemporary warfare, unifying researchers and knowledge from media studies, politics and IR, cybersecurity, the military, art, library and information studies, geography, and cultural studies as well as from political and technological commentators.
If you are interested in contributing a review article, please send an email to the Reviews Editor, Ally McCrow-Young: ally. We welcome timely interventions from practitioners, scholars and students. USI is a young and lively university, a hub of opportunity open to the world where students are offered a quality interdisciplinary education in which they can be fully engaged and take centre stage, and where researchers can count on having the space to freely pursue their initiatives. USI and its affiliated research institutes attract a substantial amount of competitive research funds every year, mainly from the Swiss National Science Foundation and the European Union.
USI is featured in the most important international rankings. The Faculty of Communication, Culture and Society is committed to research and teaching excellence in innovative fields of humanities and social sciences, and offers an edgy and highly international context.
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With a strong interdisciplinary approach, it especially explores the complex challenges that society is faced with, namely: digital technologies and global communication networks; cross-cultural interactions; the way communication and marketing decisions in profit, public, and non-profit organisations intersect markets, culture, and society; and, paradigmatic shifts in the way culture is shaped and conveyed. The Locarno Film Festival LFF , one of the longest-lived and most important film festivals in the world, was created after the end of WWII, capturing the cultural ferment of the post-war period and the newfound values of freedom a spirit that has always distinguished its guidelines ever since.
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LFF aims at launching the works of independent filmmakers, focusing on the distribution and support of films made by young directors, to offer the public an overview of the most recent auteur and popular productions — often world or international premieres — and to deepen and broaden the knowledge of the history of cinema, through its annual retrospectives.
Thousands of film fans and industry professionals meet at the Festival every summer, with in common a craving and a passion for cinema in all its diversity. The audience is the soul of the Festival, as embodied by the famous evenings on the Piazza Grande, whose magical setting can accommodate up to 8, filmgoers every night.
In recent years, the Festival has also consolidated its commitment to the training and inclusion of young people, thanks to the activities of Locarno Pro and the Locarno Academy. Unable by the health crisis to take place in its usual form, in the Locarno Film Festival accelerated a process of reflection and change, launching a signal of solidarity with the film industry and enhancing the possibilities offered by digital. It was with this in mind that the Locarno Film Festival began to collaborate with USI to reflect on the future of events and to ensure that the Locarno Film Festival continues to be an avant-garde model of an international festival, maintaining a world primacy while having a strong local relationship, and following the fundamental values that define it: having courage, defending freedom and being aware that culture contributes to the upholding human dignity.
One of the main current challenges of the Locarno Film Festival is to identify the fields of activity in which technology makes it possible to go beyond the "geographical boundaries" of an event organised in the city of Locarno and the "temporal boundaries" of an day programme. These have been joined by more recent collaborations, namely the Strategic Development Partnership in the field of strategic and organisational development of the LFF, but also the Locarno Media City initiative, a partnership with the City of Locarno, the Palacinema, and Swisscom, which, among other innovations, will enhance the role and utilization of the Locarno Film Festival archives.
The candidate is also familiar with artistic experimentation, as an act of creativity and research. In full continuity with the spirit of the Locarno Film Festival, which has always been marked by the desire to discover new talents, the candidate will manage to broaden the boundaries of the art of film and experiments with new lines of research, artistic action and programming.
The candidate has an international professional, research and training experience. A profile, which is also strongly focused on practice, favours interdisciplinary experimentation and dialogue. The candidate has a marked ability to dialogue with different audiences, both internal and external, starting from USI and LFF, to manage inclusive reflection and innovation processes and to activate networks of contacts within the communities of reference. To this end, the candidate has expertise in the development and financing of research and open innovation projects involving the various communities of reference for the LFF.
Through teaching and thought leadership activities, the candidate is also able to communicate and foster these trends, making them become reference practices. As a disseminator, the candidate is able to orchestrate an articulated training project. Moreover, this community does not only include the one related to its area, cinema and audio-visual, but also includes other artistic sectors and application skills.
The candidate is able to promote and manage interdisciplinary logics with the aim of co-devising a context of reflection and project paths within the LFF and USI, and with the involvement of third party entities. Considering the role, and in particular the need to interface and manage complex contexts, a profile with already consolidated experience, ideally mid-career, is preferred,. The professor will have privileged access, at various levels, to the LFF, and will act as an independent advisor of the LFF, albeit through a genuine and active involvement with the LFF. The total teaching load within degree programs is of 18 ECTS per year for a full-time position of associate and full professor and 12 ECTS for a position of assistant professor.
The position offered is full-time. However, part-time employment is not excluded. In the case of part-time employment, the successful candidate is required to give priority to this position.
The salary offered is highly competitive and will be defined based on experience and qualifications. The terms of the contract are defined by the University Statutes www. The position would start as of September Fluency in Italian is initially a plus, but required within the third year.
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The knowledge of a second Swiss national language is welcomed. As an Equal Opportunities employer, USI ensures equality in recruitment, development, retention and promotion of staff, and that no one is disadvantaged on the basis of their gender, cultural background, disability, sexual orientation or identity. We encourage everyone who meets the selection criteria to apply. We particularly encourage and appreciate applications from women.
Current debates on artificial intelligence often conflate the realities of AI technologies with the fictional renditions of what they might one day become. They are said to be able to learn, make autonomous decisions or process information much faster than humans, which raises hopes and fears alike. What if these useful technologies will one day develop their own intentions that run contrary to those of humans?
The line between science and fiction is becoming increasingly blurry: what is already a fact, what is still only imagination; and is it even possible to make this clear-cut distinction? Innovation and development goals in the field of AI are inspired by popular culture, such as its portrayal in literature, comics, film or television. At the same time, images of these technologies drive discussions and set particular priorities in politics, business, journalism, religion, civil society, ethics or research.
Fictions, potentials and scenarios inform a society about the hopes, risks, solutions and expectations associated with new technologies. But what is more, the discourses on AI, robots and intelligent, even sentient machines are nothing short of a mirror of the human condition: they renew fundamental questions on concepts such as consciousness, free will and autonomy or the ways we humans think, act and feel. Imaginations about the human and technologies are far from universal, they are culturally specific.
This is why a cross-cultural comparison is crucial for better understanding the relationship between AI and the human and how they are mutually constructed by uncovering those aspects that are regarded as natural, normal or given. Focusing on concepts, representations and narratives from different cultures, the conference aims to address two axes of comparison that help us make sense of the diverse realities of artificial intelligence and the ideas of what is human: Science and fiction, East Asia and the West. Besides papers on these more general topics, we also invite case studies on innovative technologies and their fictional precursors as well as on the social, ethical or political contexts in which they are applied.
All contributions are expected to address the comparative perspective on East Asian and Euro-American discourses. Relevant issues and perspectives for these comparisons include but are not limited to cyberpunk and science-fiction in literature and film, public debates and imaginations of AI, the relation between simulation and reality, materiality, historical and legal accounts, sociotechnical imaginaries and politics.
We welcome contributions from scholars of diverse disciplines, such as cognitive science, computer science, cultural studies, literature and film studies, media and communication studies, psychology, political science, science and technology studies or sociology. Interdisciplinary approaches e. Extended abstracts of approximately 4, to 6, characters in length excl. Full manuscripts of between Wilfrid Laurier University is a leading multi-campus university that excels at educating with purpose.
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Through its exceptional employees, students, researchers, leaders, and educators, Laurier has built a reputation as a world-class institution known for its rich student experience, academic excellence, and global impact. Laurier has more than 19, students and 2, faculty and staff across campuses in Waterloo and Brantford, as well as locations in Kitchener and Toronto. The university is committed to providing an inclusive workplace and employing a workforce that is reflective of local and national demographics.
Our locations are situated on the traditional territories of the Neutral, Anishnawbe, and Haudenosaunee peoples. We recognize the unique heritages of Indigenous peoples and support their intentions to preserve and express their distinctive Indigenous cultures, histories, and knowledge through academic programming and co-curricular activities.
Wilfrid Laurier University—The Department of Communication Studies invites applications for a tenure-track appointment at the Assistant Professor level commencing July 1, , subject to budgetary approval. We seek to hire a critical communication studies scholar with demonstrated expertise in one or more of the following sub-fields: feminist media studies, health communication, environmental communication, decolonial media studies, social movements.
Applicants must have a completed PhD in Communication Studies or a cognate discipline by the time of the appointment. The preferred candidate will have a strong research record, as evidenced by publication in peer-reviewed sources, and a record of excellence in teaching. Communication Studies is a leading critical program in Canada.
We study the intersection of language, media and culture from an interdisciplinary perspective and train students in the histories, theories and methodologies of Communication Studies. With an average of majors, Communication Studies is the largest program in the Faculty of Arts. In , we will celebrate our 20th anniversary.
Applicants should submit a letter of application, curriculum vitae, up to two selected publications and a teaching dossier. The teaching dossier should include copies of course evaluations, selected course outlines and a brief reflection on teaching and the applicant's teaching experience. Candidates should also provide contact information address, telephone and email for at least three referees to:. Wilfrid Laurier University is committed to employment equity and values diversity. Laurier welcomes applications from qualified members of the equity-seeking groups.
All qualified candidates are encouraged to apply; however, as per Canadian immigration laws, Canadians and permanent residents will be given priority. Applicants need not identify their country of origin or current citizenships, however, all applicants must include one of the following statements in their cover letter:. Members of designated groups must self-identify to be considered for employment equity. Candidates may self-identify, in confidence, to: Dr. Gavin Brockett, Acting Dean of Arts at gbrockett wlu. Laurier strives to make our application process accessible and provides accommodations for both applicants and employees as outlined in Policy 8.
If you require assistance applying for this position, to obtain a copy of this job description in an accessible format, or would like to discuss accessibility and accommodations during the recruitment process, please contact the Dean of Arts Office at ext. Applicants are encouraged to address any career interruptions or special circumstances that may have affected their record of research and teaching, in accordance with SSHRC and NSERC definitions and guidelines.
The Faculty of Arts wishes to thank all applicants for their interest. All nominations and applications shall be reviewed and considered under a set of criteria established by the Search Committee and a short list of candidates shall be interviewed.
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Only those applicants selected for the short list will be contacted. Wilfrid Laurier University endeavors to fill positions with qualified candidates who have a combination of education, experience, skills and abilities to successfully perform the duties of the position while demonstrating Laurier's Employee Success Factors. Laurier is committed to increasing the diversity of faculty and staff and welcomes applications from candidates who identify as Indigenous, racialized, having disabilities, and from persons of any minority sexual and gender identities.
Indigenous candidates who would like to learn more about equity and inclusive programing at Laurier are welcomed to contact the Office of Indigenous Initiatives.