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She has titled the show Burning Down the House, after the Talking Heads song, and themes of annihilation and conflagration recur in every gallery. From afar the wallpaper appears as hazy images of smoke; up close, it is an array of fat raster dots, a degree Lichtenstein. And this is a full-volume show, concerned with protest and violence, bodies in duress, and the dangerous, sensual joy of destruction.
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Bangalore-based Sheela Gowda combines abandoned door frames with a giant image of villagers demonstrating against property development that will dispossess them of their land. Sharon Hayes films tussling generations of Korean women — one older woman puts a girl with dyed-pink hair in a headlock — along with a handwritten letter on a university bulletin board that interweaves political and romantic conflicts. Even Dan Flavin , whose arrangements of neon lightbulbs usually bespeak minimalism at its coolest, is caught up in the melee: the US artist's four red tubes from are arranged like a crossbow, and presented as a monument to the dead of the Vietnam war.
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One nice surprise here is that, unlike at many biennials, figurative painting has a major role to play in articulating the themes of progress through struggle. And three paintings by the Artist Group Dung-Ji, a women's art collective associated with the Minjung people's movement of the s , depict the daily lives of women in the workforce during Korea's breakneck modernisation.
In the first our heroine is struggling to tend to her screaming children, kimchi spilling from the kitchen table while her husband looks away unconcerned. In the next she is on the factory floor, Stars and Stripes behind her, while her male supervisor screams abuse. But in the last she is at a union meeting, wearing a fillet that reads "Higher pay! Fire comes up again and again: in one video Liu Chuang walks through Beijing holding burning newsprint, while in another Sehee Sarah Bark sets a photograph aflame.
Sterling Ruby has contributed working stoves. Morgan has taken a risk by organising such a tightly themed show, and there are galleries that feel over-curated: placing Cornelia Parker's hanging bits of charcoal next to an Yves Klein fire painting is pushing it.
There is even an actual burned house, contributed by the Argentinian artist Eduardo Basualdo , whose narrow hallways full of hanging sculptures and dead plantlife are not recommended for claustrophobes. But as those bones on the Gwangju Biennale parvis attest, this is not a show that takes itself lightly. Morgan's symbol of the burning house — of one's own burning house, a house we ourselves set on fire — has the great virtue of collapsing the boundary between personal and political struggles, and insists that through a simultaneously angry and joyful obliteration we can reconstitute the places where we live.
Soldiers of study in South Korea | The Wider Image | Reuters
You are reminded of that at the entrance and exit of this exhibition, where speakers play three remixes by Joakim — a talented French musician and DJ based in New York — of the titular Talking Heads song. One is pared down so sparely it sounds like medieval organ music. In another, David Byrne's voice has been transformed into a springy, electric-charged countertenor.
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He knew what he was talking about. Screens have their uses, but if you really want to change things you need a big, public bonfire.
Not one of the five hundred students in the boarding school has access to television, the Internet, mobile phones or an MP3 player. Men wear regulation blue tracksuits, women red. I wrote down things I want to do after the exam. I want to travel most," said Cho Hwan, But not that much," added Cho, frustrated over practice tests. To make sure that Cho and his classmates don't waste their time, there are more than 80 closed-circuit television cameras.
Supervisors monitor the students' every move to catch anyone dozing off during study hours. If they break rules, the students, of whom 80 percent are male, get "yellow cards". At worst, they could be expelled. The study regimen gets more intense from a month before exam day.
The school takes down pay phones and bans leaves. Even parental visits are strictly limited. So the students can bear with it," he said.
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Some students even resort to the service of a school-provided therapist, who hypnotises students and then intones in a low voice, "You have the strongest confidence in your entire life," as if it was exam day. I really hope I will get a good score so I won't regret this," Cho said.
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Students laugh during lunchtime near a playground at the boarding school. A student reads a book while working out on a treadmill during a lunch break. Two students laugh with each other as they take a bath during their lunch period. Story Military discipline for "soldiers" on Korea exam's front line Conversations between men and women are forbidden at the school on the outskirts of Seoul, where security cameras watch the students' every move.
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